1888-1899
Recent archaeological work carried out
during the demolition of Wood
Wharf at the north end of
Horseferry Place SE10 which was at the southern end of the Greenwich Steam
Ferry (ref Engineering 17 February 1888, and The Engineer 2 December 1892) has
provided some surprising information. It had been thought that there were two
or three steam engines on each bank to work the pair of travelling platforms
each side of the river and to raise and lower the slowly moving landing stages
(one on each bank) which were adjusted as the tide rose and fell. However
excavation now reveals that there was only one engine bed at Wood Wharf
and it appears that a single (large) steam engine (using steam from three
locomotive boilers) perhaps worked the three platforms by a complicated drive.
The platforms were not counterbalanced by each other but by massive weights in
shafts.
There were three of these, one for each
platform, over 150 feet deep (this depth has been verified by diving). Further
excavation revealed remains of a drain at a lower level which ran to an outfall
a short way to the north of Wood
Wharf . It is thought this
drain predates the Steam Ferry. Having independently counterbalanced moving
platforms would allow the platforms which communicated with the landing stage
to move at any time as traffic dictated. This is analogous with the lifts or
elevators in a tall building. The implication is that heavy traffic was
anticipated. Mention has been made that it was an American system installed at Greenwich and one wonders
if ferries of a similar kind ever operated in New York . The arrangement is rather unlike
British practice at the time. The use of locomotive boilers to drive stationary
steam engines was not that uncommon and even the locomotive's cylinders and
motion might be used. In 1879 the Metropolitan Board of Works purchased six broad
gauge engines from the Great Western Railway in order to use them at pumping
stations. They were obtained at a reasonable cost - £500 each. Two went to
Crossness, one to Falcon brook, Battersea, one to Effra Vauxhall
Gardens and two were put
in store. The pair at Crossness drove centrifugal pumps and provided steam for
other plant. It is not known how long they survived.
Bob Carr (extracted from GLIAS
Newsletter.)
Clive Chambers
is due to speak on the ferry remains at our February meeting.
The Swiftstone Trust
Swiftstone is a locally preserved tug.
The following extracts are from a review of their work in the past year along
with work on preserved firefloat, Massey Shaw.
On September 18th 2004 Swiftstone took
part in the Thames Festival at Bankside. We went on up to Bankside for the
festival where we circled round hooting and tooting for the benefit of
spectators. They waved and blew bubbles appreciatively.
On October 25th 2004 we went to inspect Woolwich Arsenal pier
for a potential mooring. It was not ideal for the Swiftstone but Massey Shaw is
currently moored there.
In October 2004 ft was discovered that
Swiftstone had a leak. Not too bad at that time and, as she was moored at Wood Wharf
on the foreshore the water that came in with the tide and for the most part
drained out with the tide. On the night of October 22nd Ian and
Julian spent a very uncomfortable time digging away the sand and mud and gravel
in a torrential downpour to find the leak.
On 28th October 2004 . Reg was informed of a break-in
on the Massey Shaw. Vandals had been aboard, smashed in the cabin door and gained access to the crew space and galley
area. The lads of the were greeted by a sorry sight. The vandals had drunk some
and stolen other bottles of beverages, had left excrement and committed acts of
general havoc.
On 1st November Reg got
another phone call to say that Massey Shaw appeared to be sinking. The phones
ran red hot for a time – fortunately Swiftstone’s pumps were working so Massey
Shaw was pumped out and refloated and it was found that the engine room had
been broken into and valves had been
opened causing the sinking.
Later that day Massey Shaw was towed
away by agents of the insurer's after which she went to Woolwich Arsenal Pier.
We were hoping for a repair of
Swiftstone in time for summer events but it was not to be. There are so few repair facilities on the Thames and we had to wait our turn at Corys. This is the
first time that Swiftstone had been in the dry dock at Cory despite having been
owned by them for more than 50 years.
In our search for potential moorings for
Swiftstone we discovered in the Greenwich
area a long jetty in reasonably sound conditions. We were informed by the owners
that they had no objections at all and would be rather pleased if we could take over the river licence from PLA
and that is where we hit the bumpers in a most drastic way. The PLA are demanding an enormous amount of paper work
from us, - business plans, financial accounting and a guaranteed source
of finance to completely demolish and
remove the structure from the river at some unknown time in the future and they
want survey reports on the structure and planning
approval.
Association for
Industrial Archaeology Awards
The AIA award programme aims to enhance
the understanding of industrial archaeology and to encourage high standards in
fieldwork and publications. Annual awards are made in the following categories
•
Fieldwork and Recording
•
Essays
•
Publications
Applications for the three awards above
must be received
by 31st March. Entries are also invited at any time from
voluntary groups for the Conservation Award.
www.industrial-archaeology.org.uk
Beam engine gets Lottery cash boost
Hidden away in
Crossness Record is the information that Crossness Engines have been offered a
lottery grant. However News Shopper’s Linda Piper provided a
more detailed account telling us that The Heritage Lottery Fund had awarded the
money to the Crossness Engines Trust for
the restoration of the Grade I Listed
buildings and to create a series of visitor facilities.
“ The first
installment of £99,000 of Lottery cash will enable the trust to produce detailed
restoration and development plans. Once those have been approved the rest of the
cash will be released to start the work.
As well as the restoration of the original buildings, new facilities such as a
cafe, lecture room and library will be created, together with car parking and
the launch of a revamped website. The trust will then be able to tell the story
of London 's sewage problem and feat of engineering
which overcame it. “
She continues: “There
will be activities for schools and visitor workshops, talks, guided tours and hands-on activities
as well as dressing up and role play to bring the sewage works to life. Described by the Heritage Lottery Fund as
"a heritage gem," the complex is currently open for only 30 days a
year. Once restored, the trust plans to open it three day week during spring
and autumn and two days a week during the winter.”
They quote The Lottery
Fund London manager as saying "The buildings at the pumping station are
nationally important and the proposed scheme will open up its history to as
many people as possible”. Peter Bazalgette, great great grandson of Sir Joseph and
chairman of the trust, said: "The trust's volunteers have already restored
one of the magnificent engines. "Now they are a concrete step closer to
their dream the creation of an exhibition and steam centre at t heart of the
community which will become the Thames Gateway."
Gasworks to the Dome Project
The Independent Photography Project are starting a new series of workshops for Gasworks to Dome for 2006. It will focus on training for taking 'then and now' digital photos of
The Town Hall in Wellington Street celebrates it's 100th
birthday in 2006. Designed in high Edwardian gothic style by Sir Arthur
Brumwell Thomas, it was built in 1906 to replace the earlier Town hall of 1842
in Calderwood Street . Costing
£95,000, the Town Hall was opened by Will Crooks MP who used a golden key to
open the door. The Town Hall is noted for its outstanding architectural detail
and for the fine stained glass windows by Geoffrey Webb, which depict local
historical figures and associations. There is also a statue of Queen Victoria by
Frederick Pomeroy which was funded by
public subscription.
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